National Theatre’s award-winning production of The Curious Incident of the Dog in the Night-Time returns to Bradford
Playing the central role of Christopher Boone is Glasgow born Scott Reid with Dublin born and Glasgow based Lucianne McEvoy as his teacher Siobhan, Emma Beattie as Judy, Wilmslow and Manchester educated David Michaels as his father Ed, Debra Michaels as Mrs Alexander and Bristol trained Eliza Collings as Mrs Shears.  
 
The company is completed by Oliver Boot (Roger Shears), Newcastle-upon-Tyne born and Bristol trained Crystal Condie (No.37/Punk Girl/Information), Pontypridd born Emma-Jane Goodwin (ensemble), Joel Harper-Jackson (Mr Thompson), Leeds born and Stockport based Bruce McGregor (Reverend Peters), Birmingham born Sam Newton (alternate Christopher), James Parkes (ensemble), Aberdare born and Pontypridd educated Jams Thomas (ensemble) and Danielle Young (ensemble).
 
The Curious Incident of the Dog in the Night-Time is adapted from Mark Haddon’s best-selling book by Simon Stephens and directed by Marianne Elliott.   The production is designed by Bunny Christie, with lighting by Paule Constable, video design by Finn Ross, movement by Scott Graham and Steven Hoggett for Frantic Assembly, music by Adrian Sutton and sound by Ian Dickinson for Autograph.  The Associate Director is Manchester educated Elle While.
 
National Theatre producer Kash Bennett said: 
‘We were overwhelmed by the enthusiastic reception from audiences around the UK and Ireland when we toured The Curious Incident of the Dog in the Night-Time in 2014-15, playing to almost 400,000 people, and are delighted to take this beautiful and inventive show to new venues and make a return visit to others in 2017.’
 
The Curious Incident of the Dog in the Night-Time received seven Olivier Awards in 2013, including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design and five Tony Awards on Broadway including Best Play.  
 
The show tells the story of Christopher Boone, who is fifteen years old.  He stands beside Mrs Shears’ dead dog, which has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who murdered Wellington.  He has an extraordinary brain, and is exceptional at maths while ill-equipped to interpret everyday life.  He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers.  But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
 

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