Carly Thoms (Miss Honey) and Sebastien Torkia and Rebecca Thornhill (Mr and Mrs Wormwood) will continue in their roles until the tour concludes its run at Norwich Theatre Royal in August 2019.
Elliot Harper’sWest End theatre credits include Father Joe in The Exorcist at the Phoenix Theatre, Matilda The Musical (Cambridge Theatre), One Man Two Guvnors (National Theatre), Les Misérables (Queens Theatre) and The Phantom of the Opera (Her Majesty’s Theatre). Other theatre credits include Sweet Charity (Watermill), A Study In Scarlet (Southwark Playhouse), The Silver Tassie (Druid/Lincoln Center NY), Rope, Arsenic and Old Lace (Pitlochry Festival Theatre), The Big Sleep (The Mill At Sonning), As You Like It, Deathtrap, The Taming of the Shrew, The Talented Mr Ripley and Travels with my Aunt (Queens Theatre, Hornchurch), and the UK touring productions of Jesus Christ Superstar and The Buddy Holly Story. Harper’s film and television credits include Howard Goodall’s 20th Century Greats (Tiger Aspect), Showroom, which was a winning film at SXSW Film Festival, and The Egg, Masters of the Universe (Asalva Productions).
The full adult cast includesRichard Astbury, Joe Atkinson, Nina Bell, Peter Bindloss, Oliver Bingham, Emily Bull, Samara Casteallo, Matthew Caputo, Matt Gillett, Michelle Chantelle Hopewell, Sam Lathwood, Steffan Lloyd-Evans, Charlie Martin, Tom Mather, Anu Ogunmefun, Carly Thoms, Rebecca Thornhill, Sebastien Torkia, Adam Vaughan and Dawn Williams.
The role of Matilda is shared by Sophia Ally, Scarlett Cecil, Annalise Bradbury, Poppy Jones, Emma Moore and Nicola Turner. The other young performers in the UK and Ireland Tour in the three teams who play the roles of Bruce, Lavender, Amanda and the rest of the pupils at Crunchem Hall are as follows: Evie Allen, Louella Asante-Owusu, Joseph Black, Georgia Mae Brown, Isobelle Chalmers, Jessica Chalmers, Madeline Gilby, Sheldon Golding, Cuba Kamanu, Tom Lomas, Adam Lord, Maddison Lowe, Ilan Miller, Felicity Mitson, Toby Mocrei, Ashton Murphy, Joely Robertson, Ruaridh Sinnott, Kit Swaddling, Chantelle Tonolete, Harrison Wilding and Harry Wilson.
Matilda The Musical is written by Dennis Kelly, with music and lyrics by Tim Minchin, and developed and directed by Matthew Warchus. The production is designed by Rob Howell, with choreography by Peter Darling, orchestrations, additional music and musical supervision by Christopher Nightingale, lighting by Hugh Vanstone, sound by Simon Baker and the special effects and illusions are by Paul Kieve.
Matilda The Musical has now been seen by 8 million people worldwide, having toured to over 68 cities and played more than 6000 performances in the West End, on Broadway and on tour across North America, the UK, Ireland, Australia and New Zealand. Matilda The Musical had its first non-English language production at the LG Arts Centre in Seoul, South Korea in September 2018.
Inspired by the incomparable Roald Dahl’s beloved book, Matilda The Musical was commissioned by the Royal Shakespeare Company and premiered at the RSC’s Stratford-upon-Avon home in November 2010, before transferring to London’s West End in October 2011, where it opened to rave reviews. The New York production of Matilda The Musical opened in April 2013 at Broadway’s Shubert Theatre and was celebrated on 10 “Top Ten” lists for 2013, including TIME Magazine’s #1 Show of the Year.
Matilda The Musical sweptthe board at the 2012 Olivier Awards, with a record-breaking seven awards, and won four Tony Awards and a Tony Honor for Excellence in the Theater for the four girls sharing the title role on Broadway.
The North America production toured 52 cities. The Australian and New Zealand production won a Sydney Theatre Award for Best Musical in 2015, and played sold-out seasons in Melbourne, Brisbane, Perth, Adelaide and Auckland. The show broke further records in July 2016 by winning all 13 Helpmann Awards for which it was nominated.
Matilda The Musical is produced by the Royal Shakespeare Company with André Ptaszynski and Denise Wood as Executive Producers. The production was developed with the support of Jeanie O’Hare and the RSC Literary Department.
